Tilt-shift photography. Or Diorama effect (sometimes it’s called).
Refers to the use of camera movements on small- and medium-format cameras, and sometimes specifically refers to the use of tilt for selective focus, often for simulating a miniature scene. (Wikipedia)
Some compact cameras, after Olympus first announced having this filter in EP-2, followed suit and introduced this mode as a special feature. It can be interesting, considering how you can make buildings, people etc look cartoon-ish. As if they are ‘ma-sak’ (toys).
“The process of achieving the diorama effect essentially works around shifting or reducing the depth of field in a shot,” explains Ben Thomas, a Melbourne-based photographer. “This can be done one of two ways; you can change the depth of field in the shot with a tilt-shift lens, or you can use Photoshop (or similar) to do the same thing, with a lot more freedom.
It’s not exactly easy to achieve the desired effect, but Same O’Hare, Aero Director/ VFX artist, produced The Sandpit – a time lapse, tilt-shift film of New York life (made up of over 35,000 stills in five days).
It’s cute The excellent miniature effect makes one wonder if these were real life photographs at all or not.
Got inspired by a friend and rented a studio for a couple of hours at Cam2Rent last week. It was totally impromptu, and I managed to get A to be my model.
Professional lighting was set up for me and I got to use the studio’s Canon 5D Mark II. It was heavy, but awesome! Or was it the lighting. The photos look brilliant! Or maybe it’s just the photographer! Haha.
Aren’t they niceeeee…I’m quite happy with the shots. And this is my favourite of the lot:
Haven’t had time to upload most of my photos (analogue and digital) onto my photostream yet. Wait till I’ve got more free time….
I am into TTV – through-the-viewfinder photography.
Basically, you get a TLR (twin lens flex camera) and then use your compact camera or DSLR and shoot through the viewfinder. It’s not as easy as it sounds (I got misled too), cos there can be reflection off the viewfinder, and focusing can be a problem too. You would need to create a contraption like this to block out the light:
Ever since I bought my first lomo 120film Diana+ from Urban Outfitters 3 yrs back in San Francisco, I have fallen in love with analogue photography. Sadly, I can’t indulge as much as I’d love to, due to the high costs of buying films, developing negatives and sometimes printing too.
And speaking of films, 120 film is still rather common. Polaroid 600 films are like extinct..! The regular photolab I used to go to (for instant prints occasionally) at TBP has run out of stock!!! It was sadness until recently, The Impossible Project manages to revive the spirit of Polaroids! Have yet to make my way to 8storeytree to purchase the PX100 Silver Shade Instant Film. Will do so when I feel rich. I mean, richer.
Furthermore, the packing doubles up as a pinhole camera. It provides full assembly instructions for people who simply love DIY. K, an ex-designer-colleague of mine, is one of those who is into hands-on assembly for cameras etc. Last I heard, he did up the Gakkenflex. Not bad I must say, I can’t even ‘gao dim’ the modification of my Konica Wai Wai. Loserish me.
Anyhows and anyways, check out the re-designed TLR packaging for Ilford 120: